Yasunari
Kawabata writes "The Grasshopper and the Bell Cricket" in the first
person, which draws the reader into the story as we join him in his observation
of a happy band of children. This
delightful vignette is a shining lantern against the dark seedy underbelly, in
which many of the stories we have read dwell.
Although it is set during the nighttime, it is teeming with life and
light. Bright colors typically associated
with Asian culture are present in the carefully crafted lanterns that bob along
the embankment in the hands of their makers. The writer applauds the
craftsmanship displayed in the lanterns, contrasting them with store bought
objects he classifies as tasteless. He
takes pride in his Japanese ancestry and culture through his admiration of the
lanterns. The fact that the children
made the lanterns with such care suggests that the perpetuation of traditional
Japanese culture is assured, to the delight of the older observer. This is further emphasized in his use of the
term "wide-eyed" to describe himself as he admires the
"old-fashioned patterns and flower shapes" (par. 4) of the lanterns.
We
are reminded that the children are on an insect hunt when one boy calls out,
having found a grasshopper. He asks if
anyone wants it and, although he receives many enthusiastic affirmative
replies, he repeats his offer until he finally bestows it on a girl. We are then treated to the discovery that
instead of an ordinary grasshopper, the insect is actually a bell cricket. The writer has an epiphany at this
point. In my cinematic imagination, the
music swells and the lanterns shine more brightly as it dawns on him that the
boy likes the girl and the name of each is emblazoned on the other with light
from their lanterns. Kawabata is
nostalgic for youthful love and even a bit jealous, as he says, likely for the
naiveté of the young lovers. He likens
the bell cricket to the rare kind of true love not to be mistaken for the
common grasshopper that will bring heartache.
The writer is wistful as he envisions the children's future, but for me
there is too much beauty to dwell on the probability of pain. I as a reader am left satiated and the
cricket's song echoes in my breast where hope resides.
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