I
sat down to write about dear Emily and instead imagined Robert Frost reciting
"Two Roads Diverged in a Yellow Wood." Emily materializes overhead in a flowing
white gown, leaning out of a DeLorean.
"Roads?" she demurely asks.
"Where we're going we don't need roads." Whiz! Bang! Kapow! She streaks off into the stratosphere.
(It's no matter that Frost's poem was
published some 30-odd years after her death.
The flux capacitor renders it all perfectly believable. And they all thought she never left the
house....)
My
own flight of fancy aptly describes my feelings for the poetry of Emily
Dickinson. It takes me to a metaphysical
plane from which the ordinary seems surreal.
"The Brain -- is wider than the Sky --" is no exception. It delights, perplexes, confounds, and
illuminates in a dizzying display of virtuosity. It begins innocently enough, by inducing the
reader to consider the vastness of human potential and creativity through the
lovely comparisons of the brain to the sky and the sea. It's in the last stanza that she whacks the
reader over the head (or in the brain) with a mallet. "The Brain is just the weight of
God--" (9). Whoa! Let me wrap my head around that one for a
min..uh..lifetime. "For--Heft
them--Pound for Pound--" (10).
"Heft" really says something specific. It refers to lifting something heavy, like
the weight of knowledge? Maybe I'm going
out on a limb here, but could it possibly be referencing the tree of the
knowledge of good and evil? After Adam
and Eve had eaten the fruit of the tree, Gen. 3:22 says, "Then the Lord
God said, 'behold, the man has become like one of Us, knowing good and
evil...'" (NASB). While man was
created in the image of God, it was not until the fall that he became like God,
or of equal weight if we maintain the imagery of the poem. Still, he is only like God "As Syllable
from Sound--" (12). There is a
separation or delineation between God and man as sound is divided into words
and words into syllables. Knowledge is
only part, a syllable, of the whole, sound.
Wow. I am reduced to one
whimpering syllable.
Elijah
may have ascended to heaven in a chariot of fire, but I rise on the winged
words of Emily Dickinson.
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